These are private homes — owners host family, cook dinners, read in the den. The art had to live with them, not perform for arrivals.
Approximately twenty works per home, placed across four room typologies: living & hearth, dining, primary, and guest quarters. Each chapter built around a center of gravity — a single piece the room organizes around — and paced so the works speak to one another as you move from room to room.
The room the residence organizes itself around — the first impression, the long evening, the fire. Works chosen to hold scale against tall glass and carry warmth into winter.
The dining room and its table — a still-life program. Work chosen to be read across a long dinner, with scale tuned to conversation rather than declaration.
The most private rooms of the residence. Quieter works, softer palettes — a bedroom program and an adjoining den that reads more like a library than a hotel suite.
Guest rooms, stair halls, and the circulation spaces that connect the residence together. Smaller works, sited for the moment you pass them — not the moment you stop.
